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DOSTANA AAJ KAL


Movies have a tremendous influence on our lives, we pick a lot of things from movies, be it hairstyle or the way we dress or the way we talk and walk; we sometimes relate ourselves to the movies we watch atleast the realistic ones. Ain’t most movies extrapolation of real life scenarios? Doesn't Director use the social environment and stuffs it with cultures and values present in the society and create a complete package called movie? Even though all the characters are fictional & far too idealistic, efforts always remain to relate the characters in the movie with real life individuals. So the theme and thought process put forward is in and around that era or can only go a step ahead.

Movies of 70’s were built on concept of 'a friend in need is a friend indeed', coupled with twist in their friendship either due to wealth or women or a villain striking a discord between them. One movie that stands for all these is Dostana (1980). It’s a story of two friends Vijay( Amitabh as Inspector), Ravi(Shatrugan as Lawyer) both falling in love with Zeenat(Miss Sheetal). Their friendship was so deep that it never conflicted their professional lives. It’s a landmark in the INDIAN cinema as it represents Dostana or friendship of 70s or bromance as it could be called. Be it a friend sacrificing his love for the other, or a friend trying to destroy the other in the wake of misunderstanding, it truly was an epitome of friendship. "I can't build castle of mirth on the grave of my friend’s dreams"; that dialogue spoke for the whole decade of friendship.

Things changed drastically when Dostana(2008) hit the silver screen, it gave a new dimension to friendship that never existed much before or something that wasn't spoken or heard off, yes the three letter word 'GAY'. Until then there was a thick line b/w being true friends and being termed gay, but Dostana (2008) reduced it to wafer thin atleast among we INDIANs. To such an extent that it has made two men invariably maintain an arms distance, forget about putting arms over the shoulder. And our approach & thought process to this matter and is as unreal & lighthearted as gay relationship b/w Abhishiek and John in the movie. In today's world just like in the movie one would even pretend to be gay if the necessity demands, be it for an apartment or for a job or even getting close to female.

Yash Johar's 1980 Dostana was known for the dialogues b/w the legends Amitabh and Shatrughan & the intense characters that those two portrayed. Amitabh was an ideal son, responsible brother, caring lover & faithful friend. B/w them and along with Shatru it was a movie that represented the 70's culture. If Amitabh was the heartthrob of the 70's, Zeenat was the woman to watch out for. It was a movie close to be called complete.

Karan Johar's Dostana (2008) filled in all the void gaps that it's predecessor had left. It was complete movie, it had bikini clad Shilpa & Priyanka having a healthy competition for the men, muscular and brief clad John for the women, and the chemistry b/w John & Abhishiek for the rest.

And the term Baap Nambari to Beta Dus Nambari truly holds good for the Bachchans as later made 10 times more profit than the former.

PS: The blogs intention is not to hurt anyone’s feelings. Forgive me if I might have unintentionally.

Tight Thrilers Leave Some Nailless Some Hairless


The complaint of IPL being a lengthy tournament is getting erased with each of these nail biting and hair plucking matches. After 45 games we just have one of the fantastic four, Delhi Dare Devils heading the table with 16 points. If things go as expected Chennai Super Kings stand in with close second. Third and Fourth spot is still up for grabs, Deccan, Royals, Mumbai, Kings and Challengers are in the hunt. Mumbai’s chances look bleak after today’s hair plucking loss and Challengers chances look good after sneaking a low scoring nail biting thriller.

Captain Kumble has shown the world what it means leading from the front; he literally bowled the first over of the match. Chennai looked puzzled like Abhimanyu of Mahabharata failing to come out of chakra view ha once Hayden departed. Take away Hayden’s 60 from a total of 129, Chennai’s score looks as bad as a sari clad bikini model.

[image source http://iplt20.com/]

Me, My Readers and The World must have been fed up with Bangalore’s opening combination and my ramblings on it, so let’s leave it alone. Dravid was caught between hitting the ball and tapping it, ended up placing it to point. 30 for 3 and you have the two most unreliable batsmen at the crease; this time both had a point to prove. Murli continues to show that he is still a Fattu, who can only bowl between 8th and 16th over. Merwe’s match fees should be docked off for not grounding his bat; that’s basics mait. In the end madness prevails as both the batsmen watch the ball sail towards third man boundary despite a dive from the fielder without bothering to run. Umpire waves his hand in the end to save the blemishes as Bangalore win this tight nail biter.

The saying “The captain is as good a team” is being proven wrong again and again by Warne, as he continues to get best out of his mediocre troop. Who would have thought that Munaf would bowl the last over and pull off a sensational victory for the Royals? Royals have a different hero with the bat every day, today it was Quiney and Jadeja taking them to a defendable 145. Mumbai seem to have followed Bangalore’s failed strategy of trying different openers every time. Sanath and Sachin found themselves battling against the guile of Warne; who eventually out played both of them. Few nasty blows from Nayar saw Mumbai in striking distance and that back away DLF maximum towards covers was simply sensational.

At this point it was a contest between Mumbai Gods Vs Rajasthan Gods as prayers from Shilpa Shetty and Nita Ambani grew deeper and deeper. Bouncer followed with a leg stump Yorker saw the end of Dhaval, direct hit from Pathan sent Nanda back to the where he belonged. A dive and good throw at the stumps from Warne sealed the deal for Royals, which left Mumbai Indians plucking their hair in despair.

In the end faces of silent Nita Ambani and Jumping Shilpa Shetty told the entire story.

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